
My heading took me straight to the bowl-shaped wall that dropped on about a 45˚ angle to a sand bottom at about 90 feet. I descended at the edge of the wall and eased down the incline to about 50 feet where I leveled off and headed south along the wall. Immediately I saw a crown of thorns star eating coral. Ornate Butterflys were everywhere, along with trigger fish, and many other types of butterflys.

On the way back I took a detour across a set of coral heads into another branch of one of the canyons and found the "aloha" sculpture in the sand at about 20 feet. It is a bunch of cinder blocks arranged to spell "aloha" and had been one of the sights I'd come to see.
Exiting the water at Honaunau at low tide was a bit of a challenge, and I lost my emt shears from my waist webbing after taking off my rig in the water and dragging it ashore after I'd climbed out. So it goes.

At one point I felt cold, even with my 5mm jumpsuit, and found out later that what I'd felt was fresh water upwelling. Since Kona has no rivers, all the water that falls on that side of the island percolates down through the lava rock and comes up ofshore as spring water. You can actually see it shimmering in the water column.

The bottom of Garden Eel cove is a lot like any campfire pit area. Desolate, black, sandy and sooty. But at night, with the lights blazing in the pit and divers kneeling around the circular arena, the scene becomes otherworldly and surreal. Then the Mantas arrive.
Slowly their numbers increase as the plankton gathers in the beams of the many lights pointed up into the black water. A 12 foot manta picks you out and soars directly toward your head, a kind of underwater chicken game, but the manta veers upward at the last second, often grazing your hair as it scuds past you into an upward arc that brings it right back down in front of your light. The mantas do lazy loop-de-loops like that right in front of you, their eyes passing within a foot of your eyes and their massive open mouths scooping up plankton.
After about ten minutes we had 11 mantas looping and soaring in their underwater ballet about the campfire area. They seemed so numerous that all you could see was swooping white wings and huge maws forming an Escherian tapestry of underwater life.
The next day I took one of Jack's advanced three-tank charters, and this made for an extremely relaxing and rewarding day. We only had five divers, all of them extremely competent underwater, so you didn't have to keep one eye out for the next out of control person on a collision course with you.
The highlight of this day was the drift dive at LAX. There was a big current at the site and we had to drop twice just to get to the entrance to this wonderland. Once headed down-current we entered a series of lava tubes that reminded me of Palancar Caves. The underwater structure was amazing and covered with healthy coral and reef denizens. We saw a frog fish and a couple of leaf scorpionfish.
But the unbelievable part of the dive was when we emerged from a lava tube ina a canyon full of little snow flakes: juvenile plate coral. This coral growth appeared everywhere on the rock faces and valley floor of the canyon, and looked for all the world like twinkling lights or flakes of small crystal spread out as far as you could see. We moved carefully above the coral and swam through gaps into other canyons likewise covered with the tiny polyps. Our guide, Jim, said that there was nowhere he know of in the world that you could see such an expanse of juvenile plate coral like that. I felt truly lucky to have been able to be there.


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